Charlie Watts on Sonny Rollins, he outlived Charlie
https://youtu.be/o0MtuZxhOy4?si=pIrFSTOfiLzqL8Ja"My love for Sonny goes back a long way. I would have been 15 or 16 when I first played his records, first with Max Roach and Clifford Brown, then his stuff with Miles, and then of course on his own. I first saw him in 1964 in the original Birdland club on 52nd Street, playing with a trio. To sit there and watch Sonny Rollins, my God! In those days he did this fantastic thing: he used to start playing in the dressing room with no band, then walk out and go around the stage, using the room to bounce the sound off. It was amazing. I'd never seen anyone do that.
"He was incredibly hip and looked fabulous, and he still does. We have the same tailor friend who makes our clothes in New York, and Sonny is still a very sharp man. He looks amazing. He's gone perfectly white in his beard and hair; it's like Samuel Beckett when he got old.
"I've been fortunate enough to get to know him a bit. Mick [Jagger] asked me about a tenor player for the Stones' Waiting on a Friend and I suggested Sonny. He did that song then wanted to have a go at another one, a real lairy rock'n'roll thing called Neighbours. He played great on it. It was an overdub, unfortunately, so we never played together. Probably just as well. My goodness, I'd sit there and think, 'bloody hell, what am I going to do here?'I'd feel like an impostor, because that's the highest company you can keep.
There are people who burn bright and fade quickly, and there are those who burn bright and keep going. You have to admire that. Sonny has never made a bad record – ever; some are simply greater than others.
